Disclaimer: I received a free review key for A.I.L.A from the publisher. This does not affect my opinions, all thoughts and impressions in this review are my own. A.I.L.A is not a typical survival horror experience, and the developers are upfront about that. The Steam description makes it clear that the game blends multiple horror subgenres, including survival horror, psychological horror, and action horror. It draws from all corners of the horror genre to create something that feels familiar yet unpredictable. Fans of Resident Evil will immediately notice the countless references hidden throughout its levels. However, it is not just Easter eggs. A.I.L.A also borrows from the core gameplay loop of Resident Evil and Alone in the Dark: explore, solve puzzles, fight, repeat. The hub-and-spoke level design reinforces that classic structure, while the constant shifts in tone and setting keep it from feeling derivative. There is plenty of variety too, with environments ranging from a derelict farmhouse to a pirate’s ghost ship, each offering a distinct atmosphere that prevents the experience from becoming stale. If you’d rather see A.I.L.A in action, watch the video version of this review below! If you are here to find out whether A.I.L.A is worth playing, let me save you some time: Yes! I went in with no expectations, having never played Pulsatrix Studios’ earlier title Fobia – St. Dinfna Hotel. Although it took a little time for the game to grow on me, once it did, I could not put it down. In the end, A.I.L.A worked for me because it delivered a completely different kind of horror experience that I did not realise I was missing. The Meta World of A.I.L.A In A.I.L.A, you step into the role of Samuel, a beta tester for a VR project that shares the same title. The experience often felt surreal to me, as I was reviewing a game built around the idea of reviewing a game. Even the process of installing the in-game system is carried out manually, and this idea becomes much more intricate during a later puzzle, the whole game is very meta. Your main hub area is Samuel’s apartment, which might sound like an unexciting location, but there is always something new happening. The space is detailed and changes a lot through the game. The apartment sequences reminded me of Silent Hill 4: The Room, as well as the film 1408, with their sense of being trapped in a room you can’t escape. A large part of the game’s appeal comes from never knowing where you will end up next. Each scenario is set in a different location or time period, and the shifts are dramatic enough that you can never be certain what might be waiting behind the next door. The Many Doors of A.I.L.A There is something iconic about the door animations in the early Resident Evil games, which is why our logo features a red door. You never quite knew what was waiting on the other side which added to the tension that defined classic survival horror. In many ways, A.I.L.A could almost be described as a door-opening simulator, although I am fairly sure that is not an actual genre. In the early Resident Evil titles, the loading screens created a real sense of anticipation, and Pulsatrix Studios has taken that concept and reimagined it in a modern way. In the first area, for example, you must navigate a maze of countless doors, never knowing what you will step into next. Rooms can change after you leave them, and sometimes even the moment you turn your back, objects shift or rearrange themselves, keeping you constantly on edge. Mannequins and other objects shift whenever you turn your back on them, creating a constant sense of uncertainty. Not knowing what might be behind you, or what might be waiting through the next door, is when the horror is at its strongest. These moments work because the unknown is always more frightening than what is in front of you. In a later level, you find yourself in a Resident Evil 7 style farmhouse, fighting aliens. These encounters lean far more towards action horror than psychological horror. The change of pace does help to keep things lively, but the alien enemies are among the weakest enemies in the game (there are much better enemy types later). They are more irritating than frightening, and once the action takes over, some of the tension disappears. When you understand exactly what you are dealing with, the fear of the unknown is lost. Although I was not a fan of the alien enemies, I did enjoy the level itself, particularly the visuals of the farmhouse. In fact, the graphical presentation throughout the entire game is impressive, although I will touch more on that later. What made the farmhouse especially engaging was its puzzles. The whole location feels like a large, interconnected puzzle box waiting to be solved, and that sense of discovery is what kept me playing. Puzzle Solving A large portion of your time will be spent solving puzzles, and for me they are pitched at just the right level of difficulty. They are not so easy that they become dull, yet not so challenging that you feel the need to look up the solutions online. There were moments when I was close to giving up, but whenever I stopped and searched a little longer, the clue I needed was usually nearby and often in the very room I was standing in. If you approach the game in the same way you would an early Resident Evil title, you will be fine. By that I mean you should search everything and read every clue. Searching highly detailed environments is one of the reasons I love survival horror games. I recently reviewed Tormented Souls 2, and one of my favourite aspects of that game was exploring its environments. However, when you explore in third-person with a fixed camera that is quite far back, it can be difficult

Greek Tragedy is another Halloween release: a fixed-camera PSX horror game that kind of slipped under the radar. Amidst the release of absolute classics this month – Tormented Souls 2, Flesh Made Fear, and Echoes of the Living – it didn’t really get much notice. Well, now that I have finished it (with 3 of the endings), I can’t really say it is competitive with these other titles – especially not as a survival horror game.  It certainly shares some of the hallmark traits of the genre; there are fixed cameras, puzzles, and a sense of vulnerability. But it also subverts so many others, to a point where I don’t even know how to classify it. No map, no inventory management, shoddy combat, linear level design, and an absolutely bizarre plot.  The combat is somewhat similar to the developer selewi’s games – which DO feel like survival horror despite only having a singular unbeatable stalker enemy. Here, you only have a taser gun that merely momentarily pauses the hooded enemies that relentlessly chase you. This flimsy combat system makes the enemies feel more like a nuisance than intimidating.  The real gameplay here is the puzzles, but unfortunately they are a pretty mixed bag. There are a few that were interesting and clever, but there are many others that are either too simple, bizarrely constructed (in a bad way), or just slightly glorified keys. The overall atmosphere is also a mixed bag; while the art style itself is quite charming, the actual content of the college campus, the characters, the vague fraternity/cult story – I just don’t really understand what the atmosphere is supposed to be.  The game took about 2 hours to finish, and it left me feeling a bit… empty. I don’t really understand what the vision was for the developer, on both a mechanical gameplay level or the content and story. Some puzzle fans may enjoy moments of the game, but I really cannot recommend it for classic survival horror fans. Greek Tragedy is available for Steam, Xbox, PlayStation and Nintendo Switch

Disclaimer: I received a free review key for Tormented Souls 2 from the publisher. This does not affect my opinions, all thoughts and impressions in this review are my own. The Chilean development team Dual Effect have a deep understanding of the survival horror genre. In fact, I wouldn’t be surprised if they spent half their time developing Tormented Souls 2 and the other half reverse-engineering the code of classic survival horrors to understand what truly makes them work. It is easy to label Tormented Souls 2 as just another Residet Evil and Silent Hill like game, but it is far more than that. There have been plenty of excellent indie survival horror games these past couple of years – Heartworm, Post trauma, Hollowbody, Alisa, The Mute House, The Fear Business – the list goes on and on. While all of these titles are well worth checking out if you’re a fan of the genre, none of them quite capture the rich visual atmosphere and unforgiving gameplay of Resident Evil Remake and Resident Evil Zero quite like Tormented Souls 2. Playing Tormented Souls 2 feels like stepping into a world where Capcom never shifted the genre with Resident Evil 4, a world where the classic survival horror style that peaked with Resident Evil Zero continued to evolve instead of giving way to action horror. It’s a world in which fixed camera angles, tank controls, and carefully rationed resources never went out of fashion. Survival horror in this reality continued to refine its focus on rich atmosphere, sound design, puzzle-solving and a sense of vulnerability – instead of transforming into years of fast-paced action horror, quick-time events and mandatory enemies that drop resources.  Dual Effect lean into that vision completely. The game invites you to slow down, to absorb every tiny detail and search every room for any scrap of ammo or health you can find. The environments feel like cut content from an unreleased Resident Evil spin-off, with just as much depth – if not more. They are so detailed that they make you want to take your time in every room, simply to soak in the atmosphere. Playing Tormented Souls 2 reminds me what made the genre special in the first place: the constant tension between curiosity and fear, the satisfaction of solving a puzzle, and the constant fear that an enemy might be just around the corner. Never compromise. Not even in the face of Armageddon It should go without saying, but everything has remained as it was in the original game. For many developers, there is a temptation to “fix” the biggest complaints users had with the first title. I am very happy to report that Dual Effect did not cave to this pressure, nor did they seek to cash in by appealing to a wider audience by making the game easier or more “user-friendly”. They set out to deliver a true survival horror experience, and they stayed the course. Health is a resourceAmmo is a resource Saving is a resource   I can’t overstate how important it is that these mechanics remain untouched. The whole time I was playing, I found myself asking questions like: “Should I save now or wait a little longer? Could I run past these enemies and save these shotgun bullets for the boss? Should I heal now or wait for one more hit?” This kind of decision-making simply doesn’t occur in action-horror games like Dead Space or Resident Evil 4. and it creates a completely different experience – one I have been searching for since the original Tormented Souls. The combat is a puzzle  In true survival horror games, you quickly begin to realize that the combat itself is a puzzle. For example, when I reached the first boss in the Convent (the game’s opening area), I only had two shotgun bullets, one healing item, and a few nails. I quickly realised that I did not possess the resources required to defeat the boss unless I used the hammer (which we can confirm – is possible!). This meant I had to load an older save and run past a bunch of enemies in order to solve the “puzzle” of reaching the boss with more health and ammo.  Darkness / Lighter One of the most unique and important “enemies” in the series is darkness itself. If you stand too long in any shadowy areas, you will die instantly. The only way to counter this is by using a dimly lit lighter. But here’s the dilemma: when you’re holding the lighter, you can’t use your weapons or defend yourself in any way – all you can do is run. This leads to some of the most tense enemy encounters I’ve experienced in any horror game, where you have to run and find a candelabra offering small islands of safety to fight from. Survival horror has always been about playing as a vulnerable character who can barely defend themselves, and I can’t think of another series that commits to that vulnerability quite like Tormented Souls. Taking away your ability to fight in the darkness makes these games truly unique. Camera angles Can I just take a moment to appreciate the camera work in Tormented Souls 2? This kind of detail often goes underappreciated, but it deserves recognition. Take this example in the video below – the way the camera snakes through narrow corridors and then follows you seamlessly down the elevator feels almost like the developers are showing off. Achieving that sense of fluid motion and atmosphere takes real precision, and throughout the entire game the camerawork is consistently excellent. Problems / bugs  For our review, myself and Pixel Crypt played an early build of the game, and it’s important that we remain fair by mentioning a few bugs we encountered. The tank controls occasionally stick when entering or exiting menus (although the modern controls are unaffected). We also experienced a few crashes, although it’s difficult to say whether these were caused by hardware issues or software bugs. In a

Definitely one of the best survival horror games of the year, despite its obvious flaws. At its core Fragile Reflection feels like Silent Hill f – PS1 edition. It takes place in a Japan-like world, as you explore a village, a sanitarium, mines, and a dream-like otherworld. It is super inspired by Silent Hill 1 and 2, just with modern over the shoulder camera and controls. The music and voice acting are peak, so authentically PSX. The atmosphere and enemy designs are a little janky but also fantastic. The biggest drawback lies in the technical execution. Animations, hitboxes, and controls can feel clunky, sometimes resembling something held together with duct tape. Character movement and animations in particular look like they came from a first-year animation project. But for me – it is not breaking the magic of the game literally AT ALL. And this is coming from someone who noticed the jank in the demo and had extremely low expectations for the full game. Overall, this game is far more absorbing and charming than I expected. It feels very authentic and nails the atmosphere and gameplay. You will know if you are the type of player that can tolerate a bit of jank in exchange for tons of charm and classic survival horror magic. If not, don’t buy. If yes, buy it immediately. Fragile Refection is avalible now on Steam: https://store.steampowered.com/app/3088670/Fragile_Reflection/